Sabtu, 24 Desember 2011

[W536.Ebook] Download Ebook Explorer (The Mystery Boxes #1)From Amulet Books

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Explorer (The Mystery Boxes #1)From Amulet Books

Seven clever stories answer one simple question: what’s in the box?

Funny, fantastic, spooky, and suspenseful, each of these unique and beautifully illustrated short graphic works revolves around a central theme: a mysterious box and the marvels—or mayhem—inside. Artists include middle school favorites Kazu Kibuishi, Raina Telgemeier (Smile), and Dave Roman (Astronaut Academy), as well as Jason Caffoe, Stuart Livingston, Johane Matte, Rad Sechrist (all contributors to the groundbreaking comics anthology series Flight), and upcoming artist Emily Carroll.

 

 

Praise for Explorer: Mystery Boxes STARRED REVIEW "An outstanding out-of-the box anthology from renowned comics veteran Kibuishi. With eye-popping full-color art and palettes ranging from candy-colored to ethereal earth tones, this is both a visual feast for the eyes and a healthy helping of thought for the soul. Superb.” –Kirkus Reviews, starred review   STARRED REVIEW "Coherent for all its variety, there will be something here for most readers." –School Library Journal, starred review

 

 

  • Sales Rank: #7677 in Books
  • Brand: Amulet Books
  • Model: 9781419700095
  • Published on: 2012-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .33" w x 6.00" l, .67 pounds
  • Binding: Paperback
  • 128 pages

About the Author

Kazu Kibuishi is the creator of Amulet, the award-winning middle school graphic novel series, and the editor and art director of eight volumes of Flight, the influential, Eisner-nominated graphic anthology. His earlier work Daisy Kutter was named a YALSA Best Book for Young Adults. He lives in Alhambra, California.

Most helpful customer reviews

35 of 38 people found the following review helpful.
A little bit of lesson but a lot of fun
By Andrew C Wheeler
So, first there was the series of Flight anthologies, edited by Kazu Kibuishi -- they showcased mostly younger cartoonists, mostly people working in and around animation, and weren't officially for younger readers, though they were almost entirely young-reader-friendly. Flight ran eight annual volumes, and ended last year.

There was a spin-off anthology, Flight Explorer, which was specifically targeted to younger (roughly tween) readers -- though with pretty much the same crew of creators, very similar or the same main characters, and not much difference from the main Flight volumes. That was published in 2008, and was billed as "Volume One," though a second volume hasn't yet appeared.

And now there's EXPLORER: THE MYSTERY BOXES, which smells a whole lot like a themed FLIGHT EXPLORER, VOLUME TWO: seven graphic stories, edited by Kibuishi, all about mysterious magical/scientific/marvelous boxes and the people that open them, also aimed at middle-grade readers. Now, my major problem with the big FLIGHT anthologies is that they were each three hundred pages of stories that were all mostly the same kind of thing: young or otherwise naifish protagonists wandering through big, visually exciting worlds, learning Important Lessons, being Nice, and probably saving something along the way. FLIGHT EXPLORER was better: it focused on adventure, not so much on lessons, though it also seemed to be trying to launch each of its main characters as the hero of a series of separate graphic novels. (And the moderate success of that might be why we haven't seen a second volume.)

MYSTERY BOXES is the most circumscribed of the books: all of the stories have a mysterious box, which then opens to reveal something wondrous, unpleasant, or otherwise surprising, and then the heroes have to deal with that situation in eighteen pages (or, in one case, only sixteen). The resulting stories are pretty varied, though -- the unpleasant box-dwellers range from the creepy, in Emily Carroll's "Under the Floorboards" to the Warner-Brothers-inspired goofy, in Johane Matte's "Whatzit," and the lesson stories -- like Jason Caffoe's "The Keeper's Treasure," "The Soldier's Daughter" by Stuart Livingston with Stephanie Ramirez, and Kibuishi's own "The Escape Option" -- at least teach slightly different lessons from each other. And the sheer fun-mayhem level is high, in "Whatzit" as well as Dave Roman and Raina Telgemeier's amiable cartoony "Spring Cleaning" and Rad Sechrist's Littles-inspired "The Butter Thief" (which has a muted moral of its own).

As usual, the art is all excellent and very colorful -- even the creators that don't come out of animation embrace mostly bright palettes ("Butter Thief" uses muted tones in pursuit of a similar aim, and "Under the Floorboards" has a softer, scratchier feel) and clean black lines to define spaces. These are fun stories -- with a hint of spinach in the lessons most of them teach -- that should be enjoyed by tweens and viewed favorably by those tweens' gatekeepers (parents, teachers, librarians), who will be happier at those lessons that the target audience probably will be.

15 of 17 people found the following review helpful.
A great, kid-friendly graphic novel!
By S. O'Donnell
This is a fantastic compilation of short graphic novel stories, put together by eight top comic creators. Seven different stories and fabulous color graphics will keep middle grade readers engaged for hours. Both my 10-year-old son and 7-year-old daughter LOVED it. In fact, I had to steal it from my daughter in order to write this post.

My son's favorite thing about these stories was the endings. He told me he loved the way they kept the mystery alive, even at the end, and then insisted on reading three of the endings to me. Both kids loved the recurring theme of the mystery boxes in every story. I love the graphics.

If you like kid-friendly graphic novels, I highly recommend picking up a copy of this one.

21 of 28 people found the following review helpful.
Tales of the boxes.
By EA Solinas
Boxes. Boxes with mystery contents. They may have treasure, or a demon, or an alien creature, or even a demonic wax doll. Each of the seven stories in "Explorer: The Mystery Boxes" revolves around a... well, a mysterious box that changes the life of whoever handles it. A couple of the stories are too goofy for me to really get into them, but the others are simply sublime -- bittersweet, hopeful, charming and/or creepy.

The stories, in order, are:
- A girl finds a box with a wax doll inside. But while the doll initially helps her with her chores, it also begins to cause trouble... and refuses to leave.
- While cleaning his closet, Oliver finds a strange puzzle box -- and is immediately swamped by greedy wizards who want to buy it from him. However, Oliver has his own plans for the box.
- A young treasure-hunter ventures into a vast labyrinth, and finds a mysterious box with the help of a horned creature. What is inside? And can it match the horned creature's dreams?
- After her grandmother claims to have caught a butter-stealing spirit in a box, a curious girl digs it up and checks inside... and ends up being transformed into a teeny-tiny spirit herself. How can she get back?
- After her father is killed, Clara sets out for vengeance against the man who killed him. But when she meets a stranger with a glowing box, she learns the true price of war.
- Alien worker Deets is assigned to organize thousands of boxes... only to discover that something very destructive is inside one. Will it ever come in handy?
- While James is hiking, he is drawn up into a vast floating box. Inside, an alien tells him that the Earth is doomed, and that he has been chosen out of all humans to be taken to another world.

The only story that didn't truly grab me was "Whatzit" -- it's not a BAD story per se, but it's very slapsticky and cartoonish. In those ways, it seems out of sync with the other lighter stories in this collection, such as the charming "Spring Cleaning" or the frenetic Japanese-themed "Butter Thief. The remaining four stories are truly entrancing, ranging from quiet horror to haunting sci-fi, from a misty meditation on revenge to a fantastical ode to the imagination.

And every story's artwork matches the narrative. For instance, Kazu Kibuishi's is misty, shadowed and quietly graceful (especially the outdoor scenes); Emily Carroll's is very simple and slightly sinister; Jason Caffoe's is filled with luminous blue light and glowing gold; and Johane Matte's looks kind of like an adapted story from a Cartoon Network show, very jagged and colorful.

"Explorer: The Mystery Boxes" is a good showcase for some very talented comic artists -- beautiful art and stories that range from heartbreaking to kooky. A couple didn't quite grab me, but even the lesser stories aren't too bad.

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Senin, 19 Desember 2011

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  • Sales Rank: #9303702 in Books
  • Published on: 2013-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .26" w x 8.27" l, .65 pounds
  • Binding: Paperback
  • 124 pages

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Selasa, 13 Desember 2011

[O970.Ebook] Ebook Download Jingle Bell Rock, by Rie Warren

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Jingle Bell Rock, by Rie Warren

Sexy, seasonal, XXXmas M/M romance by Amazon bestselling author Rie Warren! Standalone.

A bashful bouncer, a Cajun rock god, and a Christmas Eve kiss that changes everything . . .

Brian “Beef” Carroway thinks he’s gay. No, he knows he is. He’s gruff, buff, and overcompensating for his big size and soft heart. Brian’s the badass bouncer at Mosh rock club where Cajun singer Jack Cotille moonlights for the month of December.

With a voice like sin, Jack is walking, talking, sexy temptation in the flesh. He’s also fly-by-night, possibly homeless, and chancing everything on a wing and a prayer. Just about the only thing Brian is sure of is traveling man Jack belts out dirty rock lyrics while promising the kind of pornographic sex he’s only fantasized about.

He’s definitely gay for Jack.

One Christmas Eve kiss leads to a night of heaven, a morning of hell. The holiday week leaves Brian aching for more than his wanderer singer can give as the New Year’s Eve countdown begins.

WARNING: Explicit male-male sex and a hot holiday romance.

  • Sales Rank: #581188 in eBooks
  • Published on: 2015-12-09
  • Released on: 2015-12-09
  • Format: Kindle eBook

Review
Also by Rie Warren:The Don't Tell Series. Complete.

  • In His Command
  • On Her Watch
  • Under His Guard
  • In His Sights
Bad Boys of Retribution MC series, from the world of Carolina Bad Boys, is complete!
  • Hunter. June 2, 2015. Available now!
  • Kinkaid. Available!
  • Bo. Now available! 
  • Coletrane--series final. August 25, 2015.
In the ongoing Carolina Bad Boys series
  • Stone, At Your Service. Book #1.
  • Love, In The Fast Lane. Book #2. December 11, 2014.
  • RIDE! Book #3, now available. 
  • Steele, Into Your Heart. Book #4. April 2, 2015. Available now!
  • Chrome, With a Heart Forged in Steele. Book #5. 
Sign up for my Mailchimp newsletter for special promotions and release news:eepurl.com/OSmYnVisit with me:Website: riewarren.comFacebook: facebook.com/RieWarrenRomance

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0 of 0 people found the following review helpful.
Book Review by Feliz
By PrismBookAlliance
4.75 of 5 Stars

For original review, please visit the Prism Book Alliance® blog online.

This hot little novella had many things I definitely love:

a big, beefy, adorably insecure main character; a sleek, mysterious love interest; southern charme; musicians; and sizzling hot erotic tension.

It also had one of my biggest all time pet peeves, namely a really silly Big Misunderstandig as the main point of conflict.

Why then the rating (an a warmly recommended, too)?

Because of the writing. Beef’s 1st person POV narrative voice was so compelling, the story so fast-paced and concise, the characters so likeable–every single one of them, even the supportive ones–I couldn’t put it down. Loved this book.

If you’re looking for a short, sweet, hot, PWP holiday read, you can’t go wrong with this. (And it’s free–from Goodreads!)

0 of 0 people found the following review helpful.
self discovery, holiday style
By S. Raymond
Quick read where the realization that you're gay turns into love with your first. It's a very fast read with some pretty explicit love seems. If M/M is not your thing, avoid it. If it is...enjoy.

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Kamis, 08 Desember 2011

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Handbook of Literary Rhetoric: A Foundation for Literary Study, by Heinrich Lausberg

Lausberg's "Handbook of Literary Rhetoric," here made available for the first time in English, received high critical acclaim on its first publication in 1963. It is a monumental work of extraordinary erudition, organisation and comprehensiveness, and enjoys unrivalled authority in its formal description of rhetorical techniques. The present edition is a translation of the second edition of 1973, which was reprinted in 1990. The "Handbook" has for many years been a standard reference work for all engaged in the study of literature and rhetoric. This translation will ensure its accessibility to a new generation of students of rhetoric.

  • Sales Rank: #3272249 in Books
  • Published on: 1997-08-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 9.58" h x 2.55" w x 6.38" l, 3.90 pounds
  • Binding: Hardcover
  • 954 pages

Review
'..".this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent.'
Edgar Krentz, "Religious Studies Review, 2000.
From the reviews of the German edition:
'"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language.'
H. Wolf, "Muttersprache 72, 1962.
'..".the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric.'
W. Kraus, "Romanische Forschungen 75, 1963.
'"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of M]nster...has immersed himself in the broad field of ancient rhetoric in a way which makes his Handbook..".a welcome tool, useful equally to philologists of the classical as well as modern languages.'
W. Schmid, "ASNS 200, 1963.
'"In addition to its more literary approach, the virtues of Lausberg's Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies.'
George A. Kennedy, from the foreword.


'"...this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent."' Edgar Krentz, "Religious Studies Review", 2000. From the reviews of the German edition: '"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language."' H. Wolf, "Muttersprache 72", 1962. '"...the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric."' W. Kraus, "Romanische Forschungen 75", 1963. '"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of Munster...has immersed himself in the broad field of ancient rhetoric in a way which makes his "Handbook"...a welcome tool, useful equally to philologists of the classical as well as modern languages."' W. Schmid, "ASNS 200", 1963. '"In addition to its more literary approach, the virtues of Lausberg's "Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's "Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies."' George A. Kennedy, from the foreword."

'."..this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent."' Edgar Krentz, "Religious Studies Review," 2000. From the reviews of the German edition: '"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language."' H. Wolf, "Muttersprache 72," 1962. '."..the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric."' W. Kraus, "Romanische Forschungen 75," 1963. '"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of Munster...has immersed himself in the broad field of ancient rhetoric in a way which makes his "Handbook."..a welcome tool, useful equally to philologists of the classical as well as modern languages."' W. Schmid, "ASNS 200," 1963. '"In addition to its more literary approach, the virtues of Lausberg's "Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's "Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies."' George A. Kennedy, from the foreword."

Language Notes
Text: English (translation)
Original Language: German

About the Author
Heinrich Lausberg ( 1992), was Professor of Romance Languages and Literature, University of Munster, from 1949 until his move to the Padagogische Hochschule, Paderborn, in 1972. His other publications include "Elemente der Literarischen Rhetorik" (1949) and "Romanische Sprachwissenschaft" (1956)."

Most helpful customer reviews

0 of 0 people found the following review helpful.
The origional German edition is cheaper and not much more difficult to use.
By William D. Fusfield
The original "Handbuch der literarischen Rhetorik" is far and away the finest reference work on canonical rhetorical forms. But at the only price for which it is offered here, namely $1,202.00, one would really be far better off brushing up on one's German, Latin, Greek or French, since the work is indexed in all of those languages, although, strangely enough, not also in English.

0 of 0 people found the following review helpful.
Kindle version please
By Joe
I think if there are enough people who say they want it on the Kindle, it'll happen. I know it did for Sister Miriam Joseph's Rhetoric book.

See all 3 customer reviews...

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[A622.Ebook] PDF Ebook The Book of Unknown Americans: A novel (Vintage Contemporaries), by Cristina Henríquez

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The Book of Unknown Americans: A novel (Vintage Contemporaries), by Cristina Henríquez

“A triumph of storytelling. Henríquez pulls us into the lives of her characters with such mastery that we hang on to them just as fiercely as they hang on to one another and their dreams. This passionate, powerful novel will stay with you long after you’ve turned the final page.” —Ben Fountain, author of Billy Lynn’s Long Halftime Walk
 
A boy and a girl who fall in love. Two families whose hopes collide with destiny. An extraordinary novel that offers a resonant new definition of what it means to be American.

Arturo and Alma Rivera have lived their whole lives in Mexico. One day, their beautiful fifteen-year-old daughter, Maribel, sustains a terrible injury, one that casts doubt on whether she’ll ever be the same. And so, leaving all they have behind, the Riveras come to America with a single dream: that in this country of great opportunity and resources, Maribel can get better.

When Mayor Toro, whose family is from Panama, sees Maribel in a Dollar Tree store, it is love at first sight. It’s also the beginning of a friendship between the Rivera and Toro families, whose web of guilt and love and responsibility is at this novel’s core.

Woven into their stories are the testimonials of men and women who have come to the United States from all over Latin America. Their journeys and their voices will inspire you, surprise you, and break your heart.

Suspenseful, wry and immediate, rich in spirit and humanity, The Book of Unknown Americans is a work of rare force and originality.



This eBook edition includes a Reading Group Guide.

  • Sales Rank: #38172 in eBooks
  • Published on: 2014-06-03
  • Released on: 2014-06-03
  • Format: Kindle eBook

Amazon.com Review

An Amazon Best Book of the Month, June 2014: Cristina Henríquez’s powerful novel The Book of Unknown Americans captures readers with the quiet beauty of her characters and their profoundly wrought experiences as immigrants in America. The story takes place in a run-down apartment building in Delaware, home to nine families who arrived in the States from various South and Central American countries, each looking to better the lives of the next generation. In alternating chapters, these men and women share stories of how their adopted country has left its mark on them, for better and worse. The close bond that develops between the Rivera and Toro families drives the novel forward, particularly the relationship between their children Mayor and Maribel, as closely held secrets and feelings of guilt, love, hope, and despair are unpacked with warmth and compassion. With her cast of “unknown Americans,” Henriquez has crafted a novel that is inspiring, tragic, brave, and above all, unforgettable. --Seira Wilson

From Booklist
*Starred Review* On a cold, bewildering night, the Riveras, who have just left their happy lives in Mexico, are dropped off at a dilapidated apartment building on the western edge of Delaware. Arturo has given up his thriving construction company to labor in a dark, grimy indoor mushroom farm, while his wife, Alma, lonely and afraid, with no English and little money, worries incessantly about their beautiful 15-year-old daughter, Maribel. She has suffered a traumatic brain injury, and her parents have sacrificed everything to send her to a special school. Their building turns out to be a sanctuary for Central and Latin American immigrants, and as the Riveras’ dramatic tale unfolds, Henríquez brings their generous neighbors forward to tell the compelling stories of why and how they left Venezuela, Puerto Rico, Guatemala, Nicaragua, Colombia, Mexico, Panama, and Paraguay. As one man says, “We are the unknown Americans,” those who are feared and hated. As Maribel opens up to Mayor, the infatuated boy next-door who is relentlessly bullied by his father and his classmates, terror of the unknown becomes a tragic force. Each scene, voice, misunderstanding, and alliance is beautifully realized and brimming with feeling in the acclaimed Henríquez’s (The World in Half, 2009) compassionately imagined, gently comedic, and profoundly wrenching novel of big dreams and crushing reality, courageous love and unfathomable heartbreak. --Donna Seaman

Review
“Timely . . . powerful . . . genuinely moving . . . a chronicle of a beautiful Mexican teenager named Maribel Rivera and her admiring friend and neighbor, Mayor Toro. Maribel and Mayor’s star-crossed love lends this novel an emotional urgency; the story of their families gives us a visceral sense of the magnetic allure of America, and the gaps so many immigrants find here between expectations and reality. In slowly revealing the back stories behind [their] arrival in America and what they have at stake in remaining here, Henríquez gives us an intimate understanding of the sense of dislocation they experience almost daily, belonging neither here nor there, caught on the margins of the past and the future. She conveys the homesickness they feel—missing not just family and friends but also the heat and light and rhythms of the places they left behind—and their awareness of the fragility of even their most ordinary dreams of safety. The story encapsulate[s] the promises and perils of the American dream . . . Henríquez’s myriad gifts as a writer shine.” —Michiko Kakutani, The New York Times

“Henríquez distills the vast sea of immigrant stories into a small apartment building community in Delaware. At the center are two star-crossed teens, Mayor and Maribel . . . Through their friendship and budding romance, Mayor becomes a hero, protecting Maribel from a dangerous boy. He starts to bring her out of her shell [and] Maribel begins to reconnect with her former self. Their doomed love is just one of the Romeo & Juliet twists in the book—Henríquez threads that theme through the relationships between parents and their children, husbands and wives, the immigrant community with their home countries and their new one . . . Through her unadorned prose, these struggles ring clear, voices rising above the din of political debate.” —Korina Lopez, USA Today

“Gripping . . . genuinely devastating. Henríquez has found a memorable way to open up complex topics—discrimination, love and grief in family life, and the experiences of being displaced or feeling at home. A novel that can both make you think and break your heart.” —Sarah Stone, San Francisco Chronicle

“Reminiscent of the chorus of voices that made Oscar Lewis’s The Children of Sanchez so memorable, and Arundhati Roy’s The God of Small Things so profoundly humane, Henriquez’s tale about coming to America is a striking original . . . It’s no easy trick to pull a good story from the classic immigrant chronicle, the striver’s tale. But this novel about the Riveras and their hastily cobbled world is sure to bring Henriquez many readers. It is a deeply stirring story about a budding romance between two unlikely lovers, but also a ringing paean to love in general: to the love between man and wife, parent and child, outsider and new­comer, pilgrims and promised land. With a simple, unadorned prose that rises to the level of poetry, Henríquez achieves the seemingly impossible: Without a trace of sentimentality, without an iota of self-indulgence or dogma, she tells us about coming to America. The Book of Unknown Americans leaves you in thrall to its vivid characters and its author’s sure hand.” —Marie Arana, The Washington Post

“In a TED talk titled ‘The Danger of a Single Story,” Nigerian novelist Chimamanda Ngozi Adichie noted that ‘the problem with stereotypes is not that they are untrue, but that they are incomplete.’ Henríquez’s big-hearted novel challenges the ‘single story’ by exploring a wide range of Latino experiences. The Book of Unknown Americans is a welcome contribution to a broadening literary conversation that features immigrants from all across the Americas, and all walks of life. As Henríquez shows, theirs is a story composed of many stories.” —Ashley Hope Pérez, Texas Observer

“There’s an aura of benevolence in these pages that feels honestly come by, stemming in part from Mayor and Maribel’s innocent romance but mostly from the steady support and encouragement among the families—the charismatic residents of the Redwood Apartments in Delaware. ‘Who comes to the U.S. and ends up in Delaware?’, one [character] jokingly wonders . . . Henríquez’s feat is to make the reader feel at home amid these good, likeable people. Be warned: The price of this closeness is the book’s tragic conclusion.” —The Wall Street Journal

“Textured, resonant . . . rich, human. The Book of Unknown Americans ramps up like a rainstorm then releases across the landscape, and once you look outside, touches absolutely everything. It is a graceful examination of the American immigrant experience from the oft overlooked perspective of the immigrant herself . . . It’s easy to become lost in the young love story, [but] Alma’s parenting checks readers back into the fear and newness inherent in life on unfamiliar turf, with the inability to communicate . . . The novel’s last line is bone-chilling. A secret peek into lives—an unknown life—to which we are not often privy. To walk away without learning something from its pages—most of all, empathy—would be an opportunity squandered. But leave it to the feeling in your chest on your chest when you reach the last page to tell you that.” —Meredith Turits, Bustle (June fiction pick)

“I didn’t want to read another book about the immigrant experience. So ubiquitous in literature, the theme can feel tired and unoriginal, even to those of us who’ve lived it. But the first few paragraphs of Henríquez’s prose—words whose simplicity belies their weight—seduced me with beauty and the promise of a rich tale. And Henríquez delivered. This is a book about love, about how we seek to help those we love, sometimes with unforeseen and tragic consequences . . . Henríquez ignites the tension in the first few pages and lets it simmer and pull the story along . . . Lyrical . . . There is beautiful writing in these pages [that] illustrates the full ethnic range of the Americas and how so many people south of our border ended up here. I’m not spoiling it to say that Henríquez brings the story to a heart-crushing explosion of an end fueled by secrets, love, fear and ethnic tension. Bottom line, if you read only one more book about the immigrant experience, make it this one.” —Beatriz Terrazas, Dallas Morning News

“Observant . . . a bighearted ensemble of a story. Set at a scrappy apartment complex in Delaware, The Book of Unknown Americans is a pan-Latino novel, with characters from Panama, Venezuela, Mexico and Puerto Rico, among other nations. In love and locked out of any reasonably cool social scene in high school, Mayor Toro and Maribel Rivera are the teens at the heart of the novel. Interspersed among their tentative, fumbling love story are chapters devoted to the back stories of the other residents of the complex. Henríquez covers the gamut of the immigrant experience: how they arrived in America, why they came, what they think of their new home, whether they miss their first home. In other words, she captures an experience at the heart of this country’s history that is often a cursory, incomplete story in the media . . . Poor and at the mercy of forces they do not entirely understand, her characters nonetheless experience victories that no one but their families and the fellow residents of their complex share. ‘I hope this book can play a small role in maybe opening Americans a bit more to empathy,’ Henriquez says.” —Claiborne Smith, Kirkus

“Remarkable . . . the narrative of our two central families could easily sustain the novel, but Henríquez has taken it further. The Book of Unknown Americans gives voice to an entire society of people who struggle and work for the hope of better lives—but these lives don't necessarily turn out as they may have dreamed. These people live days steeped in uncertainty and sometimes fear, and the sacrifices that are made in a move toward a better lot in life are huge. Henriquez opens the doors to this experience. Amid the grit and shadows, doubt and desperation, Henríquez finds beauty in community, in love, in family, in perseverance. And lucky us—we have the beauty, too, that is Henríquez’s writing.” —Kristin Fritz, Everyday eBook

“With eloquence, grace and, yes, sorrow, Henríquez creates an ensemble cast that speaks for millions of people who live among us but whose voices are rarely heard. This is a remarkable novel that every American should read.” —Meganne Fabrega, Minneapolis Star Tribune

“Enrapturing and heartbreaking . . . a stunning cross-cultural love story under the guise of a narrative about Latino families trying to make their way in America . . . Like a music master at the harp, Henriquez elegantly plays with human heart strings as she illustrates the complexities of the immigrant experience through the story of two families, as well as the company with whom they surround themselves.” —Morgan Ribera, Bustle

“The stories you hear about immigration are the ones that generate sensational headlines: sheriffs patrolling the border with shotguns, finger-pointing on Fox News, red-hot rhetoric in political campaigns across the country. But as Henríquez was reminded a few years ago, there are plenty of stories that are told rarely, if ever . . . At the center of The Book of Unknown Americans are Arturo and Alma Rivera, who have immigrated legally from Mexico to enroll their daughter in a special-needs school because she has suffered a brain injury. When Mayor Toro, a young naturalized citizen originally from Panama, falls in love with her, the Rivera and Toro families become forever intertwined . . . The Riveras’ vulnerability increases [and] ultimately the story spins toward tragedy. Along the way, Henríquez allows the characters to speak for themselves . . . The politics of immigration, while never explicitly argued, remain subtly in play, as do more existential matters affecting immigrants, such as mixed national and cultural allegiances and affiliations between the generations . . . Henríquez’s most ambitious book yet.” —Kevin Nance, Chicago Tribune

“A novel told in many voices of Latin American people who come to this country and live in one apartment building in Delaware: a book about the love affairs and various things that go on—but it’s really about what it means to be an American, and what it means to have come here—what it cost them and what you get.” —Sara Nelson, on CBS This Morning, Amazon’s “Must-Have Titles for Your Summer Reading List”

“Henríquez’s best yet . . . The notion of home—where we make it, how we define it, and why we leave it—lies at the heart of The Book of Unknown Americans. Gut-wrenching.” —Rachel Bertsche, Chicago Magazine

“Poignant and profound . . . Beautiful, heartbreaking, hopeful and enlightening. Each character in The Book of Unknown Americans tells their story of how they came to America. How much they wanted to become part of this wonderful country with so many opportunities . . . Little did they know that leaving Mexico, Venezuela, Puerto Rico, Panama, Guatemala or Nicaragua, each with their own unique heritage, food, language and culture, they would all be lumped together as a group of immigrants that were not welcomed or wanted. [But] these strangers soon became friends, something of a newly established family . . . Candid, thoughtful . . . This book had to be written. And needs to be read. A copy should show up on each politician’s desk, teacher’s desk, in each American citizen’s hands.” —Marisa Robinson, The Daily Dosage

“A novel crowded with characters as vivid as they are resilient—families and neighbors who have bravely chosen hope over fate. The Book of Unknown Americans begins with a vivid vision of promise. [But] Hollywood hopes sink like L.A. smog when Alma Rivera, her husband, Arturo, and their daughter wind up in a dingy apartment with found furniture, and Arturo, who owned a construction firm in Mexico, finds work as a mushroom picker. The Riveras come seeking better care for their daughter, Maribel, but they find camaraderie and destiny in their apartment complex, which teems with other immigrant clans—such as the Panamanian Toro family, whose gawky son, Mayor, falls hard for Maribel. Their collective story is interlaced with tales of dreams deferred from the other tenants, [including] a Puerto Rican dancer who could well be a proxy for anyone from far away with an American-size appetite to dream.” —Jennifer Arellano, Elle

“A novel as disturbing as it is beautiful: a testament to the mixed blessings our country offers immigrants, who struggle against bigotry and economic hardship while maintaining just enough hope to keep striving for something better. A narrative mosaic that moves toward a heartrending conclusion.” —Daniel A. Olivas, The Los Angeles Review of Books

“Passionate . . . Henríquez imagines the sweet—and bitter—reality of coming to America, giv[ing] voice to the unheard stories of people who have quit their native countries for what they hope will be a better life. Alternating points of view bring to life nine families living in an apartment building in Delaware who have fled their birthplaces—dusty towns in Panama, Mexico, Nicaragua, Guatemala, Paraguay—to begin anew in the States . . . The Riveras arrive at dusk, unfolding themselves from the back of a red pickup truck after a days-long journey from Mexico. They are here legally, desperately hoping that an American school will restore their daughter, Maribel, who has suffered a traumatic brain injury, to the outgoing girl she used to be . . . The Toros offer their new neighbors friendship; their son, Mayor, is smitten with Maribel from the moment they meet. As the novel unfolds, the two share a tender love. Through her characters’ fears, their robust affection for one another, and their resilience, Henríquez illuminates the disparity between the lives they’ve given up and the benefits they’ve gained. For some, the struggle to find new identities as Americans yields rewards; for others, the transition is too difficult, and they return home the way they came: ‘out of one world and into the next.’” —Abbe Wright, O, The Oprah Magazine

“Henríquez borrows both the epic scope and the immediacy of oral history in The Book of Unknown Americans, taking readers inside the private anxieties of immigrants—strangers in a strange land. The final crashing together of all the [story’s] forces is devastating, as is the deftness with which Henriquez handles both the dramatic conclusion and the aftershocks. (Yes, I cried.) The book’s structure contributes greatly to the emotional impact: Hearing the stories told in Alma's and Mayor's own voices brings us inextricably close to them. Dividing their tales is a chorus of voices in which other inhabitants of the building tell their stories. The effect is that of both bridge and ballast: the stories enrich the experience with their depictions of the delicate line between heartache and triumph. Henríquez is a world-class stylist.” —Jonathan Messinger, Chicago Reader

“On a cold, bewildering night, the Riveras, who have just left their happy lives in Mexico, are dropped off at a dilapidated apartment building [in] Delaware. Alma Rivera worries about their beautiful 15-year-old daughter, Maribel, who has suffered a brain injury; her parents have sacrificed everything to send her to a special school. Their building turns out to be a sanctuary; as the Riveras’ dramatic tale unfolds, Henríquez brings their generous neighbors forward to tell the compelling stories of why and how they left Venezuela, Puerto Rico, Guatemala, Nicaragua, Colombia, Mexico, Panama, and Paraguay. As one man says, ‘We are the unknown Americans,’ those who are feared and hated. As Maribel opens up to the infatuated boy next-door, terror of the unknown becomes a tragic force. Each scene, voice, misunderstanding, and alliance is beautifully realized and brimming with feeling in the acclaimed Henríquez’s compassionately imagined, gently comedic, and profoundly wrenching novel of big dreams and crushing reality, courageous love and unfathomable heartbreak.” —Donna Seaman, Booklist (starred)

“Evoking a profound sense of hope, Henríquez delivers a moving account of those who will do anything to build a future for their children—even if it means confronting the fear and alienation lurking behind the American dream.” —Publishers Weekly

“Distinctively compassionate and original—a moving portrait of people who often pass before our eyes under a veil of invisibility. Gorgeously woven of both hope and delusion, and of the many kinds of love, this is a novel in which characters’ assimilations and aspirations are as much to a new country as to something even broader: to other, finer versions of themselves. As a reader I felt assimilated too, forever altered by the extraordinary world Henríquez creates.” —Heidi Julavits, author of The Vanishings

“Spectacular . . . highly believable and poignant . . . A well-written story set among ‘unknown Americans,’ ostensibly Hispanic but in many ways any family adjusting to a new culture and way of life, regardless of ethnicity.” —Lawrence Olszewski, Library Journal

“Cristina Henríquez has written an exquisite and profound novel of love, longing, and the resilience of the human spirit. Her characters may be invisible souls on the American landscape, but their stories leave an indelible mark on the heart.” —Gilbert King, Pulitzer Prize-winning author of Devil in the Grove
 
“The Book of Unknown Americans is filled with the fiercest kinds of love—of a boy for a beautiful girl, of stricken parents for an injured daughter, of an immigrant community for an impossible America. In this powerful novel, Cristina Henríquez gives us unforgettable characters, whose destinies are shaped by forces—senseless, random, political—far beyond their control, and yet whose resilience yields a most profound and unexpected kind of beauty.” —Ruth Ozeki, author of A Tale for the Time Being

“Wonderful. If most novels, or at least most good ones, are songs, then The Book of Unknown Americans is a choir. In a multiplicity of voices, each one distinct and authentic, Cristina Henríquez tells a whole community of stories, and the book that emerges is warm, wise, and unfailingly generous. It never seems to strive for profundity or grasp at poignancy, and yet page by page, as naturally as can be, it rouses the conscience and touches the heart.” —Kevin Brockmeier, author of The Brief History of the Dead and The Illumination

“Here is an important story about family, community and identity, told with elegance and compassion. The Book of Unknown Americans is unforgettable.” —Jami Attenberg, author of The Middlesteins

“Some of the characters in The Book of Unknown Americans were born in the United States, others came as adults or were brought here from Central and South America. Their stories speak to us, involve us in their lives. They dream, meet challenges, and dare to live on hope. Sometimes they cry, but they also laugh, dance, make love. In this beautiful book, Cristina Henríquez introduces us to their vibrant lives, to heartbreaking choices, to the tender beginnings of love, and to the humanity in every individual. Unforgettable.” —Esmeralda Santiago, author of When I Was Puerto Rican and Conquistadora

“Cristina Henríquez’s novel is a triumph not just of storytelling, but of American storytelling, a novel whose breadth and power blow open any traditional definition of ‘American.’ Henríquez pulls us into the lives of her characters with such mastery that we hang onto them just as fiercely as they hang onto one another, and their dreams. This passionate, powerful novel will stay with you long after you’ve turned the final page.” —Ben Fountain, author of Billy Lynn’s Long Halftime Walk

Most helpful customer reviews

111 of 117 people found the following review helpful.
Important new story about immigrants in America
By Susan Blumberg-Kason
Reminiscent of Jean Kwok's "Girl in Translation", Cristina Henriquez's new novel is a powerful and compelling story of the contemporary American experience. The main characters, Alma, Arturo, and Maribel Rivera, move to Delaware in order to seek special education for teenage Maribel after she suffers a tragic accident in their hometown in Mexico. They move into an apartment building where they meet other Spanish-speaking immigrants from Venezuela to Puerto Rico to Panama, Guatemala, and Nicaragua. The families in this story struggle with issues that other Americans never think about: maintaining visa status, finding jobs, feeding their families, fearing racial profiling by the police, and trying to ward off bullies who don't accept them as Americans. The main story centers around Maribel and her friendship with Mayor, a teenage boy in her building.

I love the structure of the story, which is told mainly through the point of view of Alma and Mayor, but also from half a dozen other characters who play more of a supporting role. I found that these different voices just added to the richness of the story.

Although this book is adult literary fiction, it's also a must-read for teenagers and other young adults.

89 of 94 people found the following review helpful.
The Failed American Dream
By Jill I. Shtulman
Gosh, it's hard to say anything critical about a novel that focuses on the unknown Americans -- the recent immigrants -- who come to this country with hopes and dreams, only to find that life is not the fairytale they anticipated. It's a worthy topic to read about, especially with the demonizing of immigrants through certain media. And Cristina Henriquez is a fluid writer with an easy-to-read style; she know her craft and she definitely is good at what she does.

The thing is, it just seemed a bit too YA for me. Now, there's nothing wrong with young adult literature. In fact, some of it is quite nuanced (as is this one). But I wanted something more. I wanted an immigrant story such as ones I've read by Junot Diaz, Dinaw Mengestu, or Kiran Desai, to name three. In other words, less a story and more of an explorative journey.

For what it is, this book is good. It focuses mainly on a teenager from Panama, Mayor, who falls in love with Maribel, a brain-damaged 15-year-old whose family hails from Mexico. Punctuating the forward thrust of this star-crossed tale are stories from other Latino immigrants from Puerto Rico, Guatemala, and, in fact, all across Central and Latin America. My one criticism is that there is not a strong differentiation of voices.

Book reviews are personal. I would never discourage anyone from reading this book, which admittedly, is quite good. This is just one person's reaction.

39 of 41 people found the following review helpful.
"let us all be from somewhere. Let us tell each other everything we can."
By Amelia Gremelspacher
Maribel's life has been cut short of the promise of her childhood. In traveling to Delaware, her parents are determined to restore all of the promise robbed by an accident one sunny day. They are not the usual people of the American dream, they had loved their life in Mexico. Just so their friends had left Panama under threat, but miss its smells and rhythms.
I love the story of Mayor who sees the person the Mirabel remains and treasures her for her quiet attention to him and his world. Their relationship sets a type of frame for the lives of the families as they attempt to be the best of unknown Americans.

This is a novel of unlovely places made dear by the attention and intent of those who live within them. I find it quiet in scope, but not slow and not picky. Shining moments are let to shine without fanfare or hyperbole. I just really liked the style of this prose. Many moments break your heart, but they are of a piece with life. I find the book a lovely and important look at a corner of the world.

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Selasa, 06 Desember 2011

[A126.Ebook] Free Ebook Interest Rate Markets: A Practical Approach to Fixed Income, by Siddhartha Jha

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Interest Rate Markets: A Practical Approach to Fixed Income, by Siddhartha Jha

How to build a framework for forecasting interest rate market movements

With trillions of dollars worth of trades conducted every year in everything from U.S. Treasury bonds to mortgage-backed securities, the U.S. interest rate market is one of the largest fixed income markets in the world.

Interest Rate Markets: A Practical Approach to Fixed Income details the typical quantitative tools used to analyze rates markets; the range of fixed income products on the cash side; interest rate movements; and, the derivatives side of the business.

  • Emphasizes the importance of hedging and quantitatively managing risks inherent in interest rate trades
  • Details the common trades which can be used by investors to take views on interest rates in an efficient manner, the methods used to accurately set up these trades, as well as common pitfalls and risks?providing examples from previous market stress events such as 2008
  • Includes exclusive access to the Interest Rate Markets Web site which includes commonly used calculations and trade construction methods

Interest Rate Markets helps readers to understand the structural nature of the rates markets and to develop a framework for thinking about these markets intuitively, rather than focusing on mathematical models

  • Sales Rank: #107398 in Books
  • Published on: 2011-03-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.30" w x 6.40" l, 1.25 pounds
  • Binding: Hardcover
  • 368 pages

From the Inside Flap

With trades worth trillions of dollars annually, the U.S. interest rate markets are some of the largest and most important markets in the world. These markets attract a wide variety of participants, from individuals and corporations to governments, and offer numerous financial instruments that include bonds, swaps, futures, and options. Each of these instruments requires careful understanding of unique risks.

Growing out of the author's experience as a fixed income strategist, Interest Rate Markets equips the reader with the knowledge and tools needed to rationally assess those risks for informed investment decisions. Toward this end, the book discusses the structural drivers and the main players of fixed income markets; explains how to understand and forecast the yield curve and spreads; and elaborates on the trades in cash and derivative products. To develop a complete picture of fixed income space, it analyzes rate options and volatility trading.

A detailed primer, Interest Rate Markets starts from the first principles to acquaint newcomers with interest rate products, mathematical tools, and intuitive understanding of market concepts. It then expands upon these basics and provides an in-depth understanding of the drivers of rates markets and interest rate volatility. The experienced professional will find this book an indispensable resource on trading, hedging, and market indicators. Seasoned professionals and novices alike will also find value on the companion website, including example sets, commonly used calculations, and trade construction methods.

From the Back Cover

An indispensable tool of the trade

Written by a leading fixed-income market strategist, Interest Rate Markets provides you with a comprehensive framework for forecasting interest rates and thinking critically about fixed income trading. Siddhartha Jha draws upon his experience as a fixed income strategist at a top-tier investment bank to offer both seasoned professionals and newcomers a deep understanding of opportunities and risks in interest rate markets. Common mathematical models and statistical tools are blended with intuitive ideas to predict yield curve movements and to discover effective trades.

Concise yet thorough, Interest Rate Markets provides:

  • Quantitative tools for valuing and assessing financial market risks

  • Practical insights into rates products, including bonds and derivatives

  • Dynamic approaches to understanding interest rates and related variables such as swap spreads

  • Techniques for hedging and managing risks inherent in rate trades

  • Assessments of common pitfalls of interest rate trades

  • Lessons from previous market crises

  • Effective methods for understanding the rate volatility market

Your complete guide to trading one of the largest and most liquid markets, Interest Rate Markets is truly an indispensable tool of the trade.

About the Author

Siddhartha Jha is a Senior Analyst with Arrowhawk Capital Partners. Previously, as part of J. P. Morgan's Fixed Income Strategy Team, he covered a wide range of rates markets—from municipals to liquid products including Treasuries, swaps, futures, and options—analyzing macroeconomic trends as well as short-term technical factors. He spent five years there developing trade ideas, building quantitative models, and discussing market trends with institutional investors. He graduated cum laude with a dual bachelor's and master's in applied mathematics and statistics from Harvard University.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Good book, fresh perspective on the market!
By NYGiantsRangers
Interest rate markets is a different book than many published for the rates space as it focuses on intuition. Unlike many rates books on the market, the aim is not to price complex securities, but rather to understand and forecast the movement of liquid rate products such as Treasuries, mortgages and swaps. There are very few equations in the book and the emphasis is on a logical thought process to forming views on rates.
The book starts out with an introduction to the wide range of liquid products traded in the rates space including bonds, swaps, and futures. Once the basics of these products have been described, basic frameworks around taking views on the outright direction of rates is described. This includes both very long term factors as well as short term data releases. After the basic framework is outlined, common types of rates trades are discussed which allow traders to express more specific views. Examples include swap spreads and carry trades which are not discussed frequently in other books. In addition to trades related to underlying securities, the book addresses interest rate options and their place in a rate portfolio. Finally, practical hedging strategies are expanded upon including pros and cons of using empirical methods such as regression.
Overall, I believe this book would be useful to anyone trying to gain a more intuitive understanding of interest rates and fulfills a needed niche in the space of fixed income books which tend to be either very model intensive or very basic in their discussion.

12 of 12 people found the following review helpful.
A Fixed Income text for AFTER Business School
By NYC Guy
As a former rates trader at a major institution, in my estimation, this book is simply the best text & reference for practitioners in the interest rates markets. For rates traders/salespeople, this book essentially replaces three books (Fabozzi's "Handbook of Fixed Income Securities", Belton's "The Treasury Bond Basis" and Burghardt's "The Eurodollar Futures and Options Handbook") you may have on your desk at work.

While the other three texts (particularly the last two if you're an MBA student), may cover their respective material in more depth, Mr. Jha's book approaches the material with a traders view in mind. His casual, and often humorous tone makes the material approachable and easy to comprehend for the 1st year Analyst you're about to give this book to. His analogy of Chevy's vs. Ferrari's in describing the Cheapest to Deliver option in Treasury futures was both entertaining AND lucid.

Although the rates markets have been written about extensively (unsurprisingly as it exists as the most fundamental of fixed income markets), Mr. Jha's book closes a major hole in the outstanding literature and should be required reading for any incoming Sales and Trading Analyst or Associate.

8 of 9 people found the following review helpful.
Another Book Review from The Aleph Blog
By David Merkel
I was surprised by this book. There is very little math in this book, which would make it a popular book for giving someone an introduction the bond markets.

It covers all of the non-credit, non-mortgage markets. It will not replace Handbook of Fixed Income Securities 7th Edition, but it will supplement it, because this is an easier read on the areas that it covers.

Swaps, futures, rolls, options -- this book gives a friendly introduction to all of them.

Quibbles

The flipside of no math is that many things are not explained as well as they should be, or get glossed over. It would be better to ignore principal components analysis than to mention it and not give much explanation. (A brief appendix, maybe? Same for other math topics?)

Who would benefit from this book:

Beginners with a serious interest in the fixed income markets would benefit. No one else.

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Senin, 05 Desember 2011

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    • Sales Rank: #996 in Books
    • Published on: 2016-10-14
    • Original language: English
    • Dimensions: 10.90" h x 1.40" w x 8.50" l,
    • Binding: Paperback
    • 1152 pages

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    Great book it gets to the point and it’s not ...
    By Amazon Customer
    Great book it gets to the point and it’s not a bulky book. The layout, flow and informational value are more than satisfactory. The condition of the book fit the description and we both feel we got more than our money's worth. In addition I ordered a Study guide from Teaching Solutions dot org NCLEX RN review and It is an excellent resource to use to study for the praxis test. Worth of buying too.

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